Bookmarker

Disguised as a clock – he checked it out of the Metaphor Bank, dropped it in his Translation Pocket, and moved through the Parse Doors towards Egress Point One.

Fifteen Stories up, and no one willing to tell the prologue. He throat punched three unreliable narrators on the way to this place, and climbed through three framing devices, and now he is stood ankle deep in some of the most cliched similes you could imagine, getting ready to pull the old deus ex machina move just to jump-cut in through the fourth wall.

He straps a book to his back and hopes that the the sequential flutter will start to riffle the pages and slow his descent. Anat is a Bookmarker – punching through half finished narratives into the realm of ideational space, where authorial hooks dig in and start to pull things into being. Muse is an old word – quaint; not useful; barely indicative of the hands-on bullshit they have to pull on a daily basis.

He lands feet first in a meandering digression that is trying for post-modern, and coming off instead as self-indulgent. He has to hit the ground running – they have this one marked up as possessing a pivotal character who is going to have full on Mirror Conversion Potential in the real world, so they have to make sure that it comes off like it’s supposed to.

Through deep golden fields under Van Gogh swirls of cerulean he runs, deep bass cetacean music from some non-descript ocean that will be developed in later drafts sounds through this world, and he sees him. He fires a descriptor anchor at the guy; locks him in, and then initiates a back-track protocol that fires hard and fast out of ideational space at the writer – whoomp! Right into his authorial process, and there you are … Canaster Perflume becomes a fixed point in the fiction. And he drops that thing in his pocket – a link root; a link route, and it binds to Canaster, and it binds to the writer. And all anyone knows is that the writer has an idea for a fantastic wristwatch.

Anat can run now, before the riptide illogic always on his heels catches up to him, swirls around, and locks him into a story he has no place being in. He detonates an Exit Wave and rides it into some notional space that no one can point to, but which works for the translation matrices, and hey presto, he is folding in through the tesseract barriers and arriving back where he started – fifteen stories up, staring at the rococco designs on the door near Egress Point One. Anat is happy – job done.

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